Jasper Cable Alexander has created a signature style that sets him apart from his young contemporaries – all at once dark, surreal and playful. His work is wrapped up in a halcyon nostalgia that at any moment could flip from a sun drenched haze to a neon lit nightmare. Down the rabbit hole he explores worlds that seem on the verge of collapse. In Keyah/Blu’s ‘Choker’, we are greeted by a butcher knife wielding manic pixie nightmare, Sorry’s ‘Right Around the Clock’ a local pub plays the captivated audience to a gender bending Elvis. All the while, Jasper fluidly drifts through a range of film formats to further displace these vignettes that feel both vintage and dystopian.